Wing Shya: photographer to Wong Kar-wai on working with the great and good of Hong Kong cinema

Photographer Wing Shya reflects on his journey from a struggling student in Hong Kong and Canada to becoming a renowned artist in the film industry. He discusses his early influences, the challenges of working abroad, and his transition into professional photography.
Why it matters
This personal narrative provides insight into the creative development of a significant figure in Hong Kong cinema.
I WAS BORN in Hong Kong in 1964. My parents came from Shandong province, in mainland China, arriving illegally, later legalised – a common story for that generation. I went to the all-boys Salesian School, in Chai Wan, and was not a good student. I spent all my time messing around with friends. Then, at 17 or 18, I watched a film called Boat People (1982) and there was a character holding a camera who looked cool. Something happened in me. “I want to be that,” I thought. Not the actor – the photographer. I saved every dollar I made from part-time jobs until I could buy a camera, then I started to photograph everything: friends, family, the street, skateboarders. I didn’t really have a plan. I just liked looking through that little window.
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