‘Verity’ movie review: Anne Hathaway and Dakota Johnson stumble through a corny thriller
The film adaptation of Colleen Hoover's novel 'Verity' is criticized for its lack of nuance and reliance on sensationalist tropes. The reviewer argues that director Michael Showalter's stylistic choices fail to capture the psychological depth of the source material.
Why it matters
It highlights the ongoing challenges of adapting popular literary thrillers into film without losing the original's psychological complexity.
You know how it is with adaptations. You are invited into a world without the stray pleasures of imagination as someone else reads between the lines for you. The personal ambiguity takes shape of a collective uniformity; what you are seeing is how one person read the book. That way, the twisted dynamics of Colleen Hoover ’s novel, Verity , seem to be forever at odds with the audio-visual sense of director Michael Showalter in the adaptation. While telling a story that is rooted in the idea of truth and its manipulation, Michael leads with a sensationalist reckoning, leaving little space for nuance in the tone as he infuses flashy visuals, jump-scary edit patterns and a nosy, The Shining meets Final Destination- type background score to the proceedings. As Jack Torrance would say, it’s all no work, no play.
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