The Atlantic·4 min read·medium

This Was a Good Sculpture

T
Tom Healy
This Was a Good Sculpture
AI Summary

The Kennedy Center in Washington, D.C., has removed a sculpture by Joel Shapiro titled 'Blue' following a request from the institution's leadership. The removal has sparked criticism regarding the decision-making process and the loss of a significant piece of public art.

Why it matters

The incident highlights the intersection of institutional management, political influence, and the preservation of public cultural assets.

Dive DeeperCreate a free account to unlock

Washington, D.C., is full of cords of connection. By removing a Joel Shapiro work, the Kennedy Center severed one.

Bill O'Leary / The Washington Post / Getty September 9, 2026, 7 AM ET Share Save Until last week, a big electric-blue sculpture by Joel Shapiro sat next to the Kennedy Center. Boxy and rigid but seemingly weightless, Blue looked like a clumsy person who’d been swept by a breeze into an accidental pirouette. Shapiro called the metalwork a “celebration of possibility.” Some people thought it looked like Gumby. I loved it. The leaders of the Kennedy Center—and there is really just one leader of the Kennedy Center—did not.

Continue reading on Headlinne

Create a free account to read the full article.

Read full article →
culturepolitics

Get smarter about the news

Sign up free for a feed built around what you actually care about, Dive Deeper research on any story, and the full text of every article.

Create free account

Already have an account? Sign in