‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film
The film 'The Liberation,' directed by Guy Nattiv, features Carrie Coon as a woman struggling with her identity while being lured into a cult. The review highlights the film's emotional depth and the strong performances of the cast.
Why it matters
Offers cultural insight into new cinematic releases and highlights themes of psychological manipulation and personal history.
‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film "You carry a lot of weight around, don't you?" In Guy Nattiv's observant, harrowing and unmistakably feminine "The Liberation," this line marks the first time someone truly sees through fortysomething protagonist Rita Cooper. Based on Nattiv's own grandmother (alongside various cult survivors) and played by Carrie Coon with extraordinary emotional presence and pent-up energy privately looking for an outlet, Rita is an early-1980s woman leading an ordinary life in New Jersey. Quietly depressed, a wife to Reuben (Tracy Letts, Coon's real-life partner) and mother to Ella (Bella Ramsey) and Jo (Odessa Young), Rita holds a monotonous desk job at a bank by day, and tends to her family by night as part of her humdrum routine.
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