She Became the It Girl of Summer 2024. Now She’s Lifting a Middle Finger to It All. - Slate Magazine
This article explores Charli XCX's latest album and her creative use of a sample featuring filmmaker David Cronenberg. It discusses the philosophical themes of mortality and the 'speech-to-song' auditory illusion.
Why it matters
It provides cultural analysis of how modern pop artists integrate experimental audio techniques and philosophical concepts into mainstream music.
The primary impulse I have after listening to Charli XCX’s new album is not to debate whether it’s the proper, or perhaps properly improper , follow-up to the pop singer’s 2024 season -and- color -and- lexicography -defining hit record Brat . It’s to be in an arena, shouting along to David Cronenberg intoning, “They are dead, they are gone, no one lasts forever,” as he does over and over at the end of the final track of Music, Fashion, Film .
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