Renoir: Four works of art, worth millions, stolen from museum in France
This piece reflects on the aesthetic appeal of Pierre-Auguste Renoir’s work, specifically 'La Promenade', in the context of modern escapism. It discusses the artist's tendency to idealize subjects and the emotional value of art during uncertain times.
Why it matters
Art criticism provides cultural context and personal meaning to historical works, especially following news of their theft or loss.
Mother and Children (also known as La Promenade) by Pierre-Auguste Renoir
It was in New York, 3,600 miles away and nearly 150 years on, that I fell in love with Renoir's Paris.
The Frick Collection had been moved temporarily to 945 Madison Avenue; an angular concrete fortress designed in the mid-60s. Vermeers, Rembrandts and Titians lined the warren of grey, low-lit and ceilinged rooms.
So, magpie that I am, I can hardly be blamed for spending the majority of my visit at the foot of La Promenade (c.1875); a shimmering, full-length painting typical of Renoir.
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