Kashi Damru traced Indian music’s spiritual heartbeat through rhythm
The 'Kashi Damru' music presentation in Bengaluru explored the spiritual and rhythmic dimensions of Indian percussion. The ensemble utilized traditional instruments like the damaru and tabla to interpret Vedic concepts through music.
Why it matters
It highlights the ongoing evolution of traditional Indian classical music and its integration into contemporary performance art.
On the Carnatic kutcheri medai, the kanjira is referred to as an upa pakkavadyam (secondary supporting instrument). Over the years, however, this modest frame drum has moved beyond its traditional role, finding a place in percussion ensembles and cross-genre collaborations. Its practitioners are increasingly rediscovering the instrument’s versatility, experimenting the sonic possibilities. This spirit of exploration was evident at Kashi Damaru, a Hindustani music-based percussion presentation conceived by Jagadeesh Kurthkoti. It was performed as part of the Samatva Sambhrama Music Festival, organised by kanjira artiste Guruprasanna, at Bengaluru’s Chowdiah Memorial Hall.
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