Jack White review - former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
The Guardian critic Jonathan Jones reviews an art exhibition by musician Jack White at Damien Hirst's Newport Street Gallery. Jones dismisses the work as amateurish and lacking the creative depth found in White's musical career.
Why it matters
It highlights the intersection of celebrity culture and the fine art world, questioning the validity of high-profile collaborations.
Jack White with a work titled Sam Philips Sofa at Newport Street Gallery, London. Photograph: Ray Tang/Shutterstock View image in fullscreen Jack White with a work titled Sam Philips Sofa at Newport Street Gallery, London. Photograph: Ray Tang/Shutterstock Jack White Review Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time Newport Street Gallery, London White may be a talented musician but as a visual artist, he’s a nonstarter. Not even the collaborations with Ai Weiwei and Damien Hirst can save this show
The review is a subjective critique of art, focusing on aesthetic and cultural merit rather than political ideology.
Get smarter about the news
Sign up free for a feed built around what you actually care about, Dive Deeper research on any story, and the full text of every article.
Create free accountAlready have an account? Sign in