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The Guardian·4 min read·medium

‘It’s more than backcombing a beehive!’ How tribute acts got massive - and put the live music scene back in the black

D
Daniel Dylan Wray
‘It’s more than backcombing a beehive!’ How tribute acts got massive - and put the live music scene back in the black
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Tribute acts are becoming a major economic force in the UK live music scene as rising costs make seeing original artists difficult for many fans. While these acts provide financial stability for venues, they raise questions about the emotional toll on performers and the impact on original music.

Why it matters

It reflects broader economic pressures in the entertainment industry and changing consumer habits in live music.

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School’s out … Nadine l’Amour, who gave up her job as a teacher to perform as Amy Winehouse under the name the Madnezz of Amy. School’s out … Nadine l’Amour, who gave up her job as a teacher to perform as Amy Winehouse under the name the Madnezz of Amy. Pop and rock ‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?

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