George A. Romero’s Season of the Witch is a slow-burn feminist occult drama

George A. Romero's 1973 film 'Season of the Witch' is analyzed as a misunderstood feminist drama rather than the softcore exploitation film it was marketed as. Despite production issues and a lost original cut, the film is highlighted for its progressive themes.
Why it matters
It offers a critical re-evaluation of a cult classic, highlighting how studio marketing can distort an artist's original intent.
George A. Romero is obviously best known as the father of the modern zombie movie. But between inventing the genre with Night of the Living Dead and his outbreak horror, The Crazies, Romero made two much lesser-known films: There’s Always Vanilla, which I’ll admit I’ve never seen, and Season of the Witch, or, as it was originally titled, Hungry Wives.
Hungry Wives was supposed to be an exploitation film. The studio marketed it as a softcore porn, but it failed to find an audience — probably because the movie features minimal nudity, just one sex scene, and lots of talking. It was an undeniable flop upon its release in 1973. It was eventually rereleased as Season of the Witch after Romero’s Dawn of the Dead sparked renewed interest in his work.
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