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The Hindu·3 min read·medium

Expressive abhinaya and rhythmic precision defined L. Shruthi’s Kuchipudi recital

M
Manasa Vijaylakshme C
Expressive abhinaya and rhythmic precision defined L. Shruthi’s Kuchipudi recital
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Dancer L. Shruthi performed a Kuchipudi recital at the Aadi Dance Festival 2026, showcasing traditional compositions and technical skill. The performance included intricate footwork, expressive abhinaya, and the signature brass-plate sequence.

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The article documents the preservation and contemporary performance of classical Indian dance forms.

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Delhi-based Kuchipudi dancer L. Shruthi, a senior disciple of Gurus Seetha Nagajothy and P. Nagajothy, presented her solo recital at the Aadi Dance Festival 2026. Her gurus, senior disciples of the legendary Vempati Chinna Satyam, carry forward his illustrious bani.

Shruti commenced her recital with ‘Vani ki vandhanam’, an invocatory piece, written and choreographed by Seetha Nagajothy and set to music by K.G. Rupa. The composition, set in Ragamalika and Adi tala, invokes Saraswati, celebrating her as the embodiment of knowledge and the arts. Shruti’s measured execution complemented the devotional mood of the piece.

Her performance was interspersed with intricate jathis and gentle abhinaya. | Photo Credit: Srinath M.

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